This is a detail of the channel inlay of turquoise, sodalite, and aventurine



the flush inlay of obsidian along the side of this pendant

Goddess of the Wheel; silver, copper, turquoise, sodalite, aventurine, obsidian.

This pendant was inspired by the fantastic jewelry artist Byron K. McCurtain. Byron is a master of the inlay, and I highly encourage you to Google his name and check out his works. He also is found as *Silverhairedwolf* on MySpace.

The title of this piece was originally inspired by the wheel of the flat lap in which I use to grind and polish my stones. It is a machine that spins similar to an old LP record machine. Except, mine spins way faster than 45 rpms to grind down, shape and polish my rocks. This was my first channel inlay of this type. Byron has graciously and patiently worked with me via emails in educating me on this style of inlay, which is very dependant on micro measuring the cut of each rotation of the lap wheel. Even one too many turns on a 1200 diamond disk lap can greatly alter the measurements of the stone to the extent that it may not fit into its metal sleeve to have the metal gently pushed down around the gently sloping rocks.

However, the title has a deeper mean for me, as I suggest with the symbols within. The goddesses figure is carved out from the copper along the edge of the hole. Underneath are layers of gears carved out of silver alloys of various grades, with one large wheel on top, just below the main level. I wanted to get the effect of a spinning wheel worked into the background of the goddess. Within my blogs on
[link] I have written about the many folk tales in which alchemical secrets have been imbedded over generations, tales of making gold from base metals and tales of inner vision. The wheels here refer to the tales that involve a spinning wheel that serves magical purposes. Whether it is spinning straw into gold or putting beautiful princesses to sleep, spinning wheels were machines of women's crafts (traditionally) that hold mysterious powers to those of us that have never used one or seen one used.

My selection of stones was based mainly on their blue quality. But, within the stone and mineral lore, their tales also hold significance. Sodalite is also known as *Princess Blue*, and is recognized by some to hold the power of truth and endurance. It is also associated with Sagittarians. Turquoise is known by many to be associated with love, courage, healing, and luck. Aventurine is the shamrock of minerals. I mined this one out of a North Carolina claim, just south of Grandfather Mountain. I collected a small bucket full of these aventurine stones thinking they were emeralds to discover later that they were just aventurines. I guess I was lucky to find them, despite their lack of any material value. The Alabama black obsidian is flush inlayed on the left side. See detailed image. 
Obsidian is thought to protect the gentle from abuse. I hid it off to the side to allow the blue stones to remain the most prevalent.

The copper was patina'd with a combination Baldwin's patina and rokusho, which dulled the copper down to a drab color that pushed the color of the copper back, bringing the blues of the stones and silver forward. The patinas also affected the colorations on the silver alloys, bringing out sparks of various colors within the inside of this piece.